January 31, 2007

POLARIZATIONS

 

 

“A madman doesn’t need success. All he needs is a good hospital.”

Mohammed Mrabet

 

 

Experiment is an accident

no matter how carefully planned.

Can’t you see

I’m walking

between abstraction and magic

Because that’s who I am

 

The buffalo of the Great Plains

ghosting skittish herds

on Champs d’Élysées

under deconstruction. Supervised

by The New Pound Projective

Semioticians

and The Magicians of Jazz Street

 

Medicines & Mirrors

Weight gain & Hair-loss

Wallpaper of Hollywood Muse

Switching between Calvinist

projection and a drunken buffet

Call the doctor

or print your own magazine

Distribution is academic.

 

11/23/2000

 

—Michael Rothenberg

____

Previously published in Small Town

 

Posted by dwaber at 05:45 PM

January 30, 2007

REDWOOD FLOODWATCH

 

 

Below the radar

Used up

 

I’ve forgotten

what to write...

 

Historically

Geographically

 

 

    GUERNEVILLE

 

 

Redwood decks, a middle-class colonialism

 

 

       I don’t write

 

when morning comes,

a bell, the terror of quotidian

 

Heaven in a coffee pot

Winter rain

 

      

     90,000 W/OUT POWER

 

 

  No, I haven’t forgotten

what to write. I have a list.

 

 

FLOOD LEVEL- 32 FT

RUSSIAN RIVER TO CREST AT 46 FT

 

 

“What’s your address in the redwoods?”

 

Redwood, “Sequoia sempervirens

A very tall, evergreen, coniferous tree

 

“Sequoia, Cherokee who invented Cherokee alphabet

Sempervirens means ‘ever-living’”

 

And beyond that:

 

 

A POT OF CHICKEN

SQUASH    ONIONS    MUSHROOMS

IN WOOD STOVE

 

 

Components

Constructs

 

 

“Native to coastal ranges

of southern Oregon and central and northern California,

 

having small seed-bearing cones

with peltate scales and unflattened branches.”

 

 

     CREEKS    SPILLS    SEEPS    FALLS

 

 

“Some Native Americans stripped bark off redwood trees

to gather sweeter cambium layers for food”

 

 

Hot tub in the redwoods

 

 

    HIGH WINDS OFF PACIFIC BLOW DOWN

    FROM ALASKA BAY

 

 

Donald says he’ll show me how to climb a redwood

 

Listen to wood stove

(Audible)

 

 

RED CROSS

 

 

Shuffle wood in stove

 

 

BLIZZARD IN SIERRAS

 

Dennis says,

“Do you believe it, you own all these trees!

 

“You own me,” I tell the trees

(under the stars)

 

 

Begin again

Continue

Pretend

Preview

 

Vacuum carpet downstairs

 

“One of the survival strategies of redwood trees

is ability to sprout from bud tissue called burl”

 

 

HIGHEST TIDE OF THE YEAR

 

 

“If a tree falls, logged, or trunk damaged,

the burl can be triggered to start sprouting new growth”

 

 

EVACUATION

 

(Audible)

 

 

“The sprouts use the root system

of the parent tree and are genetically identical”

 

 

Who’s to say they’re not the same tree?

 

 

NEW YEAR’S EVE IN THE DARK

 

 

Past

Present

Future disconnected

 

Who wears a hat?

Who discusses this?

Who is? (In the immovable grove)

 

scratch   twitch   scratch  rumble

 

 

NO WAY OUT OF THE CANYON

 

 

madrone  oak   tick   black tick   toc   creek

 

green mossy coffee mug

 

 

“Second-growth redwoods often grow very fast”

 


            CONDITIONS WORSEN (AUDIBLE)

 

 

“Often, stumps in old logged-over areas are ringed

by smaller trees that grew from roots of parent tree

These rings are called ‘fairy rings’"

 

   gray hum

 

Opossum stalks creek with walking stick

 

 

MUD SLIDES    ROCK SLIDES    LAND SLIDES

 

 

Submission

 

   Natural O-Currency

 

 

EVERY DAY A NEW DESTRUCTION

 

 

Needles clog the gutter

 

Quail scratch bark mulch to find seed

fallen from bird feeder

 

 

DEAD DEER IN THE SLOW LANE

 

 

What war?

Which war?

 

Is it ever a good war?

 

Fog on the deck


What door?

The open one?

What for?

The war?

 

 

NERVOUS EYE ON THE HIGHWAY

 

 

Oh, The Redwoods!

 

This New Growth door
Go ahead, open it!

 

Frogs!

(audible)

 

                        BLUE SKIES

 

 

Blue Jays wake the morning

 

 

Yes! Come in!  Sit!

 

I’ll be    right     with you

 

There’s a war I must finish!

 

I will win it shortly

 

December 19-28, 2005
March 3, 2006

 

—Michael Rothenberg

____

Previously published in Golden Handcuff Review

 

Posted by dwaber at 05:45 PM

January 29, 2007

ANGELS SLEEP IN PEACE!

 

 

Angels sleep in peace!

Devils stay past midnight

 

listen to Paganini

Pretenders, King Of America, Heartless Liars

 

Have you heard them playing 8-ball while reading Content’s Dream?

 

Did it matter when the Army closed

imagination’s terrifying halls to Strategists of Art?

 

No, it doesn’t make sense to matter

No explanation needed for transfer of funds

 

from one pocket to another

For those Charlie Chaplins entering data, boiling nouvelle shoe leather soup

 

Supping on Valentine’s Desires and Therapeutic seasonings

It makes sense

 

Angels sleep in peace!

Devils stay past insomnia

 

& possum scud across the roof

Listening to accusations of the trite and trivial from Fashion Fascists

 

Reveling in accusations of the ideal & naïve

 

soaked in gross dependencies & mother

 

Have you heard them in their drunken dance

on granite floors,

 

in the rhythm of Sisyphus?

 

                        Would it matter if Superman

disappeared in his glacial fortress and forgot about Lois Lane?

 

No, it doesn’t make sense to matter

No explanation is needed for the transfer of sperm

 

from one pocket to another

 

For Cryogenic Automatons taking surveys & grants, boiling eclectic dialectics

Gorging on Cornish hens & Sweet & Low

 

It makes sense

 

Angels sleep in peace!

Devils stay past gunshot

 

& sweat soaked orgies

& tender whisperings

 

Have you made up your mind,

in those white silk gowns,

hair loose on freckled shoulder,

 

licking your own nipples,

raising your naked ass to four impossible walls?

 

That I should be persuaded by repressed exhibitions of genitalia

Does it matter when crisis rings

 

the death of a poet & saw-grass fires kiss his naked guilt?

 

No, it didn’t add up to verse, or wake the angels to salve the clawing innocent

No, it doesn’t make sense to matter longer

 

No explanation needed for the transfer

of one fish from one

 

Amazon to one aquarium

on a bookshelf on one hill above Pacific shoreline

 

For Game Hunters tracking down genuine tears & renderings, boiling conceptual logic

Mounting vanquished language of invisible jaguars & hornless rhinos

 

           On walls…

 

It makes sense

 

For those lazy drifters beneath the stars

 

 

 

2/21/98

—Michael Rothenberg

____

First published in Kickass Review

 

Posted by dwaber at 05:44 PM

January 28, 2007

DONALD HALL WOULD HATE ME

if he knew me
I don’t want to be great

it takes me 10 minutes
to write a poem

sometimes
& then

I want to whisper or
shout it about
town

My poems are usually brief
they resemble each other
they are anecdotal
they do not extend themselves
they make no great claims
they connect small things to other small things

I LIKE SHORT!

I just want to kick the leaves
& have done

 

—Mairéad Byrne

 

Posted by dwaber at 05:43 PM

January 27, 2007

Post-Coital Depression

 

Now

after the parties

and after the Seders

a few scant hours before the POWs come home

 

(and home is here, this is their home, and this is my home,
far from my friends and family and far from their friends
and family and the things that any of us would call home)

 

Now, on a quiet Saturday, I ponder art for art’s sake

and art for society’s sake

and art which by its nature could never last

because it is too specific

too focused in its condemnations

and not at all metaphorical

 

Today I ponder the role of an artist

at the close of a war

and the dawn of an empire

And what it means

to believe in something

anything

in a time of blind faith

in blind and stupid leaders

 

Today I am an artist and a businessman

 

so I look over my projects

 

what is due, what is due me, what will be due soon

what must be achieved today so that

other artists will still consider me important

 

so they will come to my rallies

and come to my readings

and thank me for my politics

and thank me for my energy

 

Today at home

I think of the best way to relieve the burden

of living, writing, and voting in the country

destined to conquer the world

 

Today I think of stacks of burning bodies

 

dictatorships established in the name of democracy

 

and the motherless sons who will come back to America

and do everything they can to bring it down

 

and what does that mean to anyone,

anyway?

 

Today

the POWs come home

tortured beaten terrorized

and I will celebrate

with my city and with my country

and I know

that this is the last day we can call ourselves

a Republic of Laws

 

today

I fear for myself

I fear for my son

I fear for the Arabs

I fear for the Israelis

I fear for the Persians

I fear for the Americans

and I fear for every artist

who makes art for art’s sake

who won’t speak out

at the end of our world

 

—Jonathan Penton

“Post-Coital Depression” was previously published in the anthology, BANNED (Meta4, 2004)

 

Posted by dwaber at 05:42 PM

January 26, 2007

Deep Throat Nihilism

 

Never forget that beauty is destructive

and poetry is its most destructive form

Poets do not ask permission

When you sing Ave Maria in the library, sing it loud

 

—Jonathan Penton

“Deep Throat Nihilism” was first published on kagablog.

 

Posted by dwaber at 05:41 PM

January 25, 2007

Atonement Fast

 

If you could take

every time

a Muslim fucked someone over during Ramadan

every time a Jew killed someone during Pesach

and every single St. Valentine’s Day massacre

and put them all on the page

you’d have no more room

for angry little poems

 

—Jonathan Penton

 

Posted by dwaber at 05:40 PM

January 24, 2007

In the Company of Them

 

So I’m sitting here in San Fran

In another used bookstore

On another hipster block

In this fuzzy hipster town

And I’m browsing through the bookstore

And I’m looking through the comics

There are shelves of graphic novels

And I think they must be recent

From the flashy well-done covers

And the hip PoMo technique

 

So I grab some graphic novels

And I’m setting on the benches

And I’m getting up, and walk around, and find a comfy chair

So I lean back, and I’m comfy, and I open up the comics

Which are trendy, which are clever,

Which have lots of lit-techniques

There’s this one with the stone giant

Who starts out as a hero

Who might be old King David

or George Washington Carver

and he bests the evil villain

who was belittling his race

but now he’s getting bigger

and he just keeps getting bigger

and pretty soon he’s enslaved all the creatures all around

the metaphor was obvious

though the subject imprecise

He might have been Israel

Or maybe Nashville, Tennessee

But the book was tortured, troubled

And so exquisitely drawn

The artist must’ve worked

As long as Karen Hughes been ugly

It was twenty-eight dollars

U.S.                                              dollars

with      proceeds            going to                                  charity

 

And I’m looking at these novels

And I’m looking at the shelves

’Cause there’s dozens of these comics

Dozens of these graphic novels

’Cause there’s dozens of these artists

Dozens angry tortured artists

Who sort of kind of made it

In the graphic novel world

But if you walk down through the Mission

Past the chickenhawks and junkies

You’ll find hundreds of these artists

Who will never, ever make it

Though it’s hard to see the difference

Between the published and the losers

Because every artist’s screaming

Every artist’s fucking screaming

Every artist wants to warn us

Of all the evil that we do

They’re all warning and they’re screaming

And they’re bringing up the issues

With their hip PoMo devices

And their so unique techniques

 

And besides the hundred artists

There’s a thousand folk musicians

With their lyrics tried and tested

And their chords so true and blue

And besides the thousand singers

There’s a million sock-drawer poets

Who’ve put down their San Fran paintbrush

To write of what will happen

To warn the world of what will happen

If we let a madman rule us

If we let the wealthy lead us

If we sign away our neighbors for another cup of Starbucks

And the artists are all drawing

And the folkies are all singing

And the poets all recite their angry lines at open mics

But there’s no one really listening

No there’s no one really listening

And the few who clap politely never do a goddamned thing

But the days are getting hotter

And our lives are getting shorter

And the Fertile Crescent won’t be fertile for four billion years

While MSN reports on Fox News

CNN reports on Slate

CBS reports on Sharpton

And Al Sharpton studies Fox

While the talking heads keep talking

And the bloggers keep on blogging

And the artists keep pretending there is something left to say

 

—Jonathan Penton

 

Posted by dwaber at 01:03 PM

January 23, 2007

Regarding Your Career:


Your books are worthless.
Your perfect-bound, professionally-made, trade paperbacks from the bigger names in the small press are worthless.
Your rice-paper handcrafted signed and numbered achievements are worth less than the formaldehyde stuck to a dead poet’s balls.

 

Your credits, your blog, your hand-stapled zines will be forgotten as soon as they are produced. Your friends will laugh at them at your funeral. Your hopes for immortality mean less than the knots in your noose.

 

Yes, I admire the tall trannies with glamorous coats

in the laundromat documentary

Yes, I admire the Ocean Queen

with her marijuana fire department
Solicit their opinions on your goulash.

Let your work die with you

 

—Jonathan Penton

“Regarding Your Career” was previously published in a different form in Antipatico

 

Posted by dwaber at 01:03 PM

January 22, 2007

Third Crush

After David Mamet

 

One day I met a woman with eyes like a Townes Van Zandt song

 

She told me I looked like Jesus, or perhaps Adam

We got along like dykes and dogs, but

 

I knew it wouldn’t last

so I decided to love her leave her           and spend the rest of my life writing poems

about how much I missed her

That way, I could enjoy the pain of losing her and not have to listen to her voice

 

I was proud of my plan and I decided to tell my mother about it

 

But my mother didn’t like my plan

 

In fact, she got very angry

 

She told me that it wasn’t right to love someone when you knew you were going to leave them

 

I asked her if she felt that way about it why did she kick me out of the house when I was only thirty-eight?

 

But mother wouldn’t listen to reason

 

She was so upset that she called the beautiful woman

and told her what I was planning

 

But the beautiful woman didn’t believe her

 

So I loved the woman and left her

and then I sat down and wrote this poem

 

I hope you like it

I hope the beautiful woman reads it

I hope it makes her happy

 

—Jonathan Penton

 

Posted by dwaber at 01:13 PM

January 21, 2007

On the many things I do not understand

 

 

He speaks of a passion, strange and wonderful

 

 

I think of Joanie Vollmer

I study her death beside Tupac’s and Cobain’s

I wonder at the precise size

of the hole in her forehead

 

 

I think of writing, this attempt to force others

to spend a moment with the thoughts I think every day

 

 

He tells me that he caught the literary bug at a young age

 

 

That’s good, I tell him

Better that

than for it to catch you…

 

 

—Jonathan Penton

 

Posted by dwaber at 02:03 PM

January 20, 2007

Why I Don't Write Love Poems

In love, too busy.

And out, too caught
by poetry's essence:
yearning.

—Paul Dutton
____
previously collected in Aurealities (Toronto: Coach House Press, 1991)

Posted by dwaber at 02:00 PM

January 19, 2007

Missed Haiku


In the only room that matters
a slight sound
obscures the one thought that counts.


—Paul Dutton
____
previously collected in Aurealities (Toronto: Coach House Press, 1991)

Posted by dwaber at 01:49 PM

January 18, 2007

Shakespeare’s Sonnets


shake     shake     shake     shake      shake

shake the darling buds of May
shake hands to torture me
shake against the cold
that looks on tempests and is never shaken
if you were by my unkindness shaken

shake     shake     shake     shake      shake

ssssssssssssssssssssssssssssssssssssssss

-pear   -pear   -pear  -pear   -pear   -pear   -pear  peer

doth homage to his new-appearing
as interest of the dead which now appear
and says in him thy fair appearance
The other as your bounty doth appear
On your broad main doth wilfully appear
I love not less, though less the show appear
Look in your glass, and there appears
No, nor neither he nor his compeers

-pear   -pear   -pear  -pear   -pear   -pear   -pear  peer

Shakespeare       Shakespeare       Shakespeare        Shakespeare
Shakespeare       Shakespeare       Shakespeare        Shakespeare

ssssssssssssssssssssssssssssssssssssssss

son    son    son    son    son    son    son

you know / You had a father: let your son
And when a woman woos, what woman’s son
Speak of the spring and foison
Yet then my judgement knew no reason
But thence I learn and find the lesson
true / Drugs poison
but despised straight, / Past reason

son    son    son    son    son    son    son

nnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn

net      net     net

Yet him for this my love no whit disdaineth
Suns of the world may stain when heaven’s sun staineth
Or captain jewels in the carcanet

net      net     net

ssssssssssssssssssssssssssssssssssssssss

sonnets  sonnets  sonnets  sonnets  sonnets sonnets  sonnets  sonnets


—Paul Dutton
____
“Shakepeare’s Sonnets” was published in an incorrect
version that incorporated editor’s errors in a student publication,
The Mitre (Bishop’s University, 2004)

Posted by dwaber at 01:56 PM

January 17, 2007

A POEM

If the sea rakes and scrapes it
long enough
it may crack

revealing beneath
its inscrutable surface
ammonite, frond, shell

residue of process
and what it seems to hold
balanced and weighed

and sent with a flick to skim
like a real stone
the surface of meaning

—Alan Baker
____
(A version of this poem was published in Poetry Nottingham and in the pamphlet 'Not Bondi Beach')

Posted by dwaber at 01:14 PM

January 16, 2007

 

WHITE PALL

(for regina writing her exit)

 

but for the death of each word

it's this white pall of the page i must bear

 

 

white pillow of the page

that leads me to [poetry?]

luxurious open space

for my eyes to rest

 

~

 

quiet enough to listen

to see what's listened to beyond

nothing to do with thinking

 

~

 

a private language written in a secret handwriting

 

~

 

this strained white tension of silence

for my words to blurt

 

~

 

but how can i not help erase myself

in the ridiculousness of

ink the embalming fluid of

words the sarcophagi of

thought the death of

knowing

ridicule

 

~

 

what if by greeting each other

we speak poetry

what if our language upon arrival

breaks down into profound syllables of seeing

i mean seeing each other as an ecstatic first moment

and when we part

as if we'll never see each other again

 

~

 

inhuman and obscene

breaking the dreaminess of your morning thoughts

reading a newspaper

 

~

 

as seldom as i see you

your death with me is ok

i know you are always where you're supposed to be

our conversation continues

the look you give me continually guides/chides

 

~

 

stretched out on the beach

i am the horizon

stretched out on my bed of sand

cry of gulls rolling slamming surf

as the horizon i will also be forever

 

 

—Craig Czury

____

from IN MY SILENCE TO JUSTIFY, FootHills Publishing, 2003

http://foothillspublishing.com/pre-2005/id39.htm

 

Posted by dwaber at 01:34 PM

January 15, 2007

 

DIVERSE ARTICULITUS

 

 

there is something inexorable under the surface

a word i’ve never used

 

 

 

 

 

poetry the last language before death

 

~

 

of the two schools

writing what i don’t know interests me most

 

~

 

somewhere between looking and seeing

it only appears i’m not paying attention

 

the punishment is severe

 

~

 

do you still think memory

has anything to do with thinking

 

~

 

what else in this transparent beauty

 

at which moment

 

~

 

the distance between reading and visualizing

transversation

 

~

 

you already know not to open your eyes

 

~

 

all this talk of memory

we were both there

yet your telling and my telling

 

~

 

that quizzical look

takes me under language

 

~

 

that lost look never more found

 

~

 

between what i remember

and what i’ve imagined

 

~

 

all the way from death to show me

 

~

 

at the brink recognizable

 

~

 

i don’t believe in a poetry written from a singular mind

 

neither do I

 

~

 

the odds favor sea salt

blood breaking in on the blood

 

 

 

 

—Craig Czury

____

from IN MY SILENCE TO JUSTIFY, FootHills Publishing, 2003

http://foothillspublishing.com/pre-2005/id39.htm

 

Posted by dwaber at 01:30 PM

January 14, 2007

UNCOVERING THE MINE SHAFT

by accident
we stumbled upon the last breath
and knelt down
our one good ear tight against its lips
and rotted teeth

we could not tell
if it was night or the eclipsing sun

but from somewhere deep within its wound
we heard drums
and a circle of clapping bones closing in

again the woolly mammoth being roused
from its black slumbering dust

crude figures of men with sticks
and mud-sling barrows
illumined the cankerous mouth

—Craig Czury
____
from GOD’S SHINY GLASS EYE, FootHills Publishing. 2005,
http://foothillspublishing.com/pre-2005/id39.htm

Posted by dwaber at 02:29 PM

January 13, 2007

CANADA DRY

My pay says heave ‘er
So chinooked in Chicoutimi
For all the Mary-Christs & Little Johns
Broken from faith but still wrong

So fuck a grand vessel, tails dance or mastiffs
A shinny I’d say Souris
For liquour laws controlled by the Crown
And the midst leaves no bars

Juicy uncaged deuce ode
Batawa bound with a Bloody Caesar
For inquiring mimes want to show
In a bureaucrat’s five-pound drain

Seek ye delay nut
Ookpik onboard an Okanagan outpost
For man bites God
A left hook, a broken aye

Languish new mitten rev sir divest plain
Fiddleheads of Flin Flon
For a priestly demolition
A feckless skimmer in that old lean development

Sizzle bats or canoe havin’ bat’s teeth
Pogey people passing Penetanguishine
For the Merry Devil of Edmonton
Like fossils on the scrotum of the quay

There’s none serving ten
With toques touted to Trenton
For a Bilingual Tim Donut
For the hate stint stinging its part

Feign sea surround petty round taut
Sasquatch skookum stupid so Sackville
For Now’s here; why’s I?
They are creating new minds for dimming

No try justification, no try method, no try eaten
Tourtiere tastes of Toronto
For it made this town CRAZY for kung fu!
I cruise, a lone rat

Disease our mutters
A potlatch for Point Pelee
For whatever else poetry is free & dumb
And we have acquired the ways of strangers

— Stephen Cain
____
from the Coach House Books collection, American Standard/Canada Dry

Posted by dwaber at 01:52 PM

January 12, 2007

ars poetica: the language of light verse

upon reading w.h. auden


A
candle
amplifi
er in
an
empty
room leaves shadows, initiates gaps, a darkness lurks in corners. Put a mirror, fitting strangely, put up a clue strangely, strangely clustered glass, piling up optic until all sides blaze, the one inch flame now a huge deviant light: the pacific room shines in the illusion of blaze. By just a candle, inhibit the chaos sea. Each glass echo is a word,   illuminates   off shadow. Alive, this author room, this fun biopic indication of space, of spacing, of the celestial geometry of light disseminates, rebounding endless echoes, grows to depict heat until there is no room left, no beatific candles, no walls. Left is a fragment of the holder’s glass, still burning, long after the spilt wax has disappeared   into   the  cold.


—Gregory Betts
____
A previous version of this poem appeared in If Language (BookThug 2005)

Posted by dwaber at 01:58 PM

January 11, 2007

0006-sharon-harris-image.jpg

Experiment 99a. Where do poems come from?

Moisten your finger and hold it straight up in the air. You will notice at once that one side of the finger is cold. This is the direction from which the poem is coming.

—Sharon Harris
____
From Fun With 'Pataphysics, as found in a bookthug chapbook of the same name (www.bookthug.ca), and AVATAR, a full length collection published by The Mercury Press (www.themercurypress.ca)

Posted by dwaber at 01:10 PM

January 10, 2007

Language Is A Game With Two Players


Stuck 100’ up in the air on the connector between the E-1 and the A-20

Gridlock in all directions

A kid on the radio sings “It ain’t the end of the world but you can see it from here”

My second perfect moment of the day

And the sun’s still only an inch above the eastern horizon

“OK ok,” says Uomo Bhob, “The first?”

“A revelation”

“Language is a game with two players: an I and a Thou”

“You would think that,” says Bhob, “you’re a translator”

“You know why I play?” asks Borul

He stares into whatever people stare into when they stare that way

“So you and I and all of us are a little less lonely”

And then he grins

“It’s the most live feeling I know”

Bhob says, “This is one hell of a tape job if I say so myself”

He’s busy wrapping packages of Captions II

“You’re still the king of the shipping clerks,” I say

He pumps like Mr Universe and says, “I know”

These are my friends

These are people I care about

—John Bloomberg Rissman

Posted by dwaber at 01:28 PM

January 09, 2007

How the Work Gets Done

I challenge my dream: “Show me the Equator. I’ve never seen the Equator.” And I’m there, registering at a hotel on some tropical island in the middle of the ocean. I look around expecting the exotic but everything looks depressingly ordinary, as if this were some grubby convenience store in Canarsie. “Show me things I’ve never seen,” I command my dream. I’m imagining succulent equatorial flowers, blossoms billowing like parachutes, and juicy fuchsia-hued fruits big as boulders.

The scene changes, but instead of embroidered nature, I find myself in the hotel’s unremarkable cocktail lounge. Some guests have dressed formally. Others are naked. We’re just a bunch of people sipping our drinks, probably waiting for dinner. We attempt conversation, but it goes nowhere. “This is nothing,” I scold my dream. “Show me the horrors, the spectacular horrors of the Equator!” I’m imagining spiders towering like skyscrapers on stick legs, and malevolent vampire insects numerous and unremitting.

Nothing outwardly changes, although, one by one, I begin to recognize my fellow guests. In fact, I realize that I know every one of them and I wouldn’t voluntarily spend a second in their company! I notice, too, that everyone now is looking around the room and recognizing everyone else. From their gloom I surmise that everybody has discovered universal, mutual hatred.

Can it be that, compelled by the rules of civility, we must spend our short, once-in-a-lifetime equatorial vacations in this Sartrean hellhole in intimate contact with those who revolt us?

But then it dawns on me: “Thank you,” I tell my dream. “For this true horror of the Equator!”

—Sandy McIntosh

Posted by dwaber at 01:31 PM

January 08, 2007

IFUGAO RED

Wings flare. Hawk soars
as if the sky is Ifugao red
and her wrists shake

with seven silver bracelets, each
dangling a stone etched with
memories formed as feathers,

teardrops, arrowheads. The sound
of her grandmother crushing
gabi leaves for a spell

fills the room. The window persists
with its lack of your face
supplanting the pumice stones

during the monsoon season
in Pampanga. After tasting
salt through her tears

why did you open your pores
to the temptress' curved copper
tongue? Does the witch paint

heavy verbs on your thighs? Boulders
like "ravage," "pillage," "ransack"
or "despoiled"? Peel off their signs

for sweetness: her damp eyes walking
to the front mahogany door
to answer your wing beats

discerned through the breeze.
To arrive home is to release your
armor, dropping it on ancient terrazzo.

—Nick Carbo and Eileen Tabios
____
First published in Saints of Hysteria: A Half Century of Collaborative Poetry (Eds. Denise Duhamel, Maureen Seaton, and David Trinidad, Brooklyn, Soft Skull Press, 2007) and forthcoming in THE LIGHT SANG AS IT LEFT YOUR EYES (Marsh Hawk Press, Fall 2007).

Posted by dwaber at 12:14 PM

January 07, 2007

ATHENA

What’s deemed necessary
changes. Hear
me

listening in another
decade, editing
last

and first lines.
A different
Singer

croons from behind
an impassive
speaker.

I listen, cross
out more
lines.

The poem cannot
be pure.
Sound

never travels unimpeded
by anonymous
butterflies.

Writing it down
merely freezes
flight—

Translation: an inevitable
fall. Take
control

by shooting it
as if
pigeons

were clay: This
one is.
But

It provided pleasure
once, was
“necessary.”

Once, it flew
with non-imaginary
wings.

O, clay pigeon.
Translation: the
error

is my ear’s.
The sky
ruptured

suddenly—I saw
but did
not

hear the precursor
fall of
leaves.

*****

Edit it down.
Edit it
down.

Silence is Queen,
not lady
-in-waiting.

Edit it down.
Edit it.
Edit

it down. Edit
it. Edit.
Edit.

—Eileen Tabios
_____
From DREDGING FOR ATLANTIS (Otoliths, 2006)

Posted by dwaber at 02:03 PM

January 06, 2007

SENTENCES

The same sky imaging your eyes folded over me as a perfume’s memory of “wine, pearls and stone” when I received your dream marveling I’ve become “a footnote grown larger than the book.”

The same book you read to excavate me is a fiction I sculpted to soften my marble core, as if—and I still don’t know—words can save me from myself.

The same poem you are feeling your way through is a thin, blue vein dug out from beneath my flesh for the color of a sky breaking into scarlet to set words afire.

The same byline your fingers caress now is text on a page, “which is to say,” yet another tree was axed for you to find the Iron Gate behind which I long hid with uncut hair and wounds as eyes, waiting for You.

—Eileen Tabios
_____
First printed in Five Fingers Review and forthcoming in THE LIGHT SANG AS IT LEFT YOUR EYES (Marsh Hawk Press, Fall 2007)

Posted by dwaber at 01:54 PM

January 05, 2007

Poetry Reading

There are four in the audience,
five if you count the poet’s son
who is slumped in the metal maw
of folding chair as if he’d rather be
eaten alive than endure another reference
to millennial decrepitude, wind
in the rattle of oaks or the big ugly lizard
of heartbreak. He knows all of her stories,
where her voice will rise and lift for effect.

She’s reading the poem about the feather again. At eight
he learned to take out the e to spell father.
The woman hunkered in the front row is clothed
in an armor of silver jewelry. She emits a low
sigh at the end of every poem. Later, she will
corner his mother over styrofoam coffee
and little cookies to tell her how moved
she was, but really to relate her own stories of lizards.

He imagines the soccer ball he could kick
high over their heads like a dicey moon, the shouts
from the crowd as it sails toward its goal. His dream
is interrupted by his mother’s voice breaking like a shock
of crows on the word “resistance.” She loves
that word, carries it in her purse,
coiled in her tubes of lipstick. She powders
it on her nose, on the cheek that he kisses
goodnight.

—Jennifer Hill-Kaucher

Posted by dwaber at 12:46 PM

January 04, 2007

I Hate Poetry

I have tried to like poetry –
its enjambed stares
and the patient writers of it
who toil at their desks,
scribble into black notebooks
in parks with the pigeons
and bread-crumbed homeless
who snore their way to inspiration.

I admit I dated a poet
in an attempt to fall in love with the genre
not the person. I fell in love with
his cologne instead, the zaftig waft
of it behind him, an aura of an aura.

I shampooed my hair in coffee
and drank in the tweed of his sweaters,
as metaphor trudged beyond us,
then took the A-train into an alley
for a mugging.

Now that I am too old
for my death to be sad
I wish for poetry to knock
on my door, let himself inside
and leave a black mountain
of punctuation marks
like a garden of orchids
on the open field
of my neck.

—Jennifer Hill-Kaucher

Posted by dwaber at 12:53 PM

January 03, 2007

Ars Poetica

You don't go looking for poetry finds.
You go, looking, for poetry finds.

—Dan Waber

Posted by dwaber at 07:42 PM